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  • This chapter reviews some of the historical developments in scientific illustration that influenced our modern-day approach to Egyptological epigraphy and discusses the idea of objectivity in scientific illustration. It then offers a brief assessment of the advantages of digital epigraphy over more traditional methods. A discussion follows regarding working on-screen with drawing layers, creating sun and shadow lines digitally, and reviewing the reasons to choose either raster images (bitmaps) or vectors—in the context of Adobe Photoshop and Adobe Illustrator—to create facsimile line drawings of Egyptian scenes and inscriptions. It briefly summarizes the development of new devices that allow for digital epigraphy in the field and then takes the discussion one step further into 3D modeling and other forms of archaeological visualization, including the Giza Project at Harvard University. Concluding remarks touch on the sustainability of digital workflows, data management plans, and the challenges of keeping pace with new technologies.

Last update from database: 1/27/26, 1:18 AM (UTC)

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